This Drifting Poo Was Way Too Symbolic! These Are the TV Letdowns of the Year.

Looking back, we reflect on the television offerings of the recent year, a handful of shows stand out not for their excellence, but for their notable shortcomings. From awkward sequels to bafflingly poor docuseries, here are the programmes that had us scratching our heads or simply reaching for the remote.

The 'Sex and the City' Sequel

How to start with this divisive follow-up? Burdened with woeful writing, cringe-inducing arcs (justice for Miranda!), and a mere 71 seconds of beloved Samantha, the show fought to find its footing. For a moment, as the final series began, it seemed as if it had finally found its groove. Then arrived an episode centered on Seema’s natural deodorant. No wonder the creator announced this would be the last series. It concluded on a bum note; the closeup of Miranda’s loo flooded with poo was simply too on-the-nose. Yet, viewers certainly had a hoot dissecting every single “wtf?” moment. And as Carrie – once again single – danced around her palatial townhouse to Barry White, who didn’t release a small sob?

The Kim Kardashian Drama

‘Can Kim Kardashian act? The answer is a resounding no.’

But that was almost the smallest of this drama's problems. The subject of a exceedingly uncommon no-star review, it was difficult to know where to start listing the flaws. The hilariously wooden writing? The tedious veneration of wealth and materialism? The almost deliberate parade of cliches? Performances so poor they felt almost malicious? Let’s just say “each and every one” and forget about this show again. However, a new season has been commissioned, so we’re probably going to have to.

The Charlie Sheen Documentary

Considering the legal troubles, abuse allegations and parental failures, it’s fair to say Charlie Sheen has been a troubled figure. Not you’d truly have gleaned it from this three-part docuseries which chuckled along at Sheen’s various episodes of self-destructive excess while struggling to tell us a single thing we didn’t already know. Instead, it felt as if this volatile personality was being indulged, so any sympathy this series might evoke should be saved for the people who have had to endure proximity with this charismatic but dismissive egotist.

The Iris Affair

Naturally we knew it was preposterous from the get-go: a thriller about a AI known as Charlie Big Potatoes that could either save the world – or destroy all of humanity. We stuck with it out of pure love for its stars … but by the end, it felt like even they had given up trying. One barely reacted when his character died, and the other ended up hacking Charlie with an axe … in super slow-motion. Talk about giving up the ghost.

The Gangster Drama

Shady characters meeting in empty boxing gyms? A certain band's Firestarter blaring in club scenes? The late 90s called and demands its gangland drama back.

In truth, that is harsh on the crime shows of the late 90s. Many look a bit old-fashioned now, but at least they didn’t endure the embarrassment of having to accommodate unconvincing accents. But there were plenty of other problems. Primarily that it was just profoundly boring; a dispute over drug-selling territory between various cockney rogues which seemed rather simplistic.

The Meghan Markle Series

Considering the degree to which she grinds the gears of the nation’s performatively enraged commentators, it’s temptingly easy to applaud the Duchess of Sussex’s televised ventures into quaint homemaking as deliberate statements. But then you view them and are compelled to admit that in this case, they may have a point. It’s like watching a homeware catalogue animated; a meme for evening drinks with delusions of grandeur; a procession of snoozing dogs, buzzing beehives, Hallmark sayings and forgettable crafting “tips” you’ll not remember instantly. All supported by immense, mostly unearned wealth. Ugh.

Victoria Beckham

There are clearly interesting things to be said about regarding Victoria Beckham and her journey with vocation, self-image, self-acceptance. But for whatever reason, this three-part series opted not to explore them. Instead, the viewing was like consuming a sales catalogue. She clearly has good reason to bridle at what she describes as her “miserable cow” image. But sadly, she failed to do herself any favours with this guarded letdown of a series.

The Game Show

It had the potential to be the next cultural phenomenon – except even camper, with a famous star playing dead and a well-known personality managing her estate. What more could you want? As players battled it out, there was plenty of betrayal and arguing. But the rules quickly became bewildering: it’s still too complicated to explain what precisely was happening. Even more regrettably, we only saw brief appearances of the star via filmed videos. The series ended up reeking of a programme that was straining desperately to emulate something far greater than it.

Too Much

How do you follow a show that captured a generation? The expectation was enormous for this glitzy romantic comedy about Jessica, a rosy-eyed New Yorker who arrives in London with a shattered romance. The lead actress took her biggest role by the horns and was a delight to watch, embodying Jane Austen levels of romantic ideals. But it was all very glossy and, paradoxically, was not enough. Plus, the sheer amount of celebrity friends involved felt uncomfortable.

Mitchell & Webb Are Not Helping

Not good enough to be ‘patchy’.

Given the shrewd inclusion of talented younger comics, expectations were high. But sadly, most of it fell flat. A particular sketch was a one-note joke stretched to a dry pulp but recurring in every episode. One star seemed too ready to slip into a familiar irate mode. The behind-the-scenes sketches, meanwhile, simply inspired the idea that they should probably have remained in there a bit longer.

The Twisted Tale of Amanda Knox

This retelling of the story of Amanda Knox was executive produced by Amanda Knox and pretty much solely showcased the viewpoint of Amanda Knox. So, while there undoubtedly is an interesting drama to be made about the tragic 2007 murder, this isn’t it. The material needed to be handled with care. Instead, the series laboured awkwardly to find the right tone, lurching from oddly jaunty, slightly stylised farce to ultimately, real-life horror. Complex? Arguably. A complete mess? Absolutely.

The Maths Genius Thriller

We admire the star … but did we believe him playing the most brilliant maths genius in history, a man so intelligent he’s on the brink of a breakthrough that could ruin society? No! This globe-trotting thriller about government agencies targeting – and eliminating – academics honestly got more absurd by the second. Silliness-by-numbers.

The Bonnie Blue Documentary

This hagiography followed the content creator notorious for sexual exploits as she undertook her biggest feat yet. What on earth would motivate her? What we wanted was way more interrogation of her true psychology, plus those of the men in the line. They could at least have spoken to the legendary mum who appeared to haul her son out of the queue. What we got was horrific shots and absolutely no interrogation of her infamy whatsoever. It's staggering to consider, the documentary-maker has a young daughter too.

Robert Richardson
Robert Richardson

Maya Chen is a tech journalist and digital strategist with over a decade of experience covering emerging technologies and their impact on society.